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Here I also used the under -painting and glazing techniques. I wanted to 'flatten' the composition by bring the background forward. By creating a shallow depth of field, I wanted it to read simultaneously as a naturalistic rendering , as well as a more abstract composition of color and form. I don't think I suceeded. Some of the colors are too hot, and the renderings confusing. I will continue to work on this, perhaps using some coler red or purple glazes over the 'hot spots'. I will keep you posted.
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